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The Fantasticks

Fantasticks
Year: 2000

Directed:

- Michael Ritchie




An enchanting little film

I am one of the few people in the world who have never actually seen the stage play of "The Fantasticks". I loved this movie. This is a marvelous, magical, spellbinding story. I felt the casting was well done. Jean Louise Kelly makes an adorable Louisa while Joe McIntyre made a sweetly innocent Matt. Joel Grey was not in this movie near enough, but he pulls off a stellar performance with what he has to work with. I thought the dance segment with Jean Louise Kelly was especially touching. El Gallo portrayed by Jonathon Morris put the magical spin on this whole story. I loved El Gallo having this witty yet sexy side to him in addition to being the mystical and wise mastermind bringing these two naive teenagers together.
The extra scenes available on the DVD are terrific. If you watch the "directors comments" you can understand why a few of them were cut. Be sure and watch "It isn't easy to die". This should have been left in. Teller and Barnard Hughes are hilarious, as are Jonathon Morris' reactions to them.
The set design and surrounding scenery are breathtaking. This is a very surreal yet enchanting movie, making it easy to slip in and out of the singing segments. I only wish a soundtrack had been made. It would make a great addition to the other two that are available.
Beautifully done. Beautifully acted.


Charming, but flawed adaptation of a classic

The Fantasticks has a unique place in theatre history, being one of the most performed pieces, both in professional and amateur circuits. The simplicity of the story and orchestrations mask
r is given such abrasive dialogue, spiked with humour and malice and self-pittying desperatioin. BR>My favourite scene is when Harris talks to Johnathon Pryce about steeling the leads. It's the best moment in a great film. Although the characters are profane in their speech, the screenplay is of such quality that it comes of damned close to poetic. I like occasionally to find a film that is completely dialogue driven and this one is probably
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