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Fitzcarraldo
Year: 1982
Classification: Drama

Directed:

- Werner Herzog

Actors/Actresses:

- Klaus Kinski
- Claudia Cardinale




" Life without music would be a mistake"---Nietsche.

Documentaries have been made about the love/hate relationship between the greatest German director and the greatest German actor of the twentieth century. Kinski claimed that he kicked Herzog during the making of this film and that "Herzog groveled." For his part Herzog claimed that when Kinski threatened to walk off the set, Herzog took a high powered rifle and swore to Kinski that he would shoot him as his motorboat passed around the bend.( They were filming in the The Amazon ) Kinski stayed.
Only these two superbly talented megalomaniacs could have pulled off this tour de force of directing and acting.
Fitzcarraldo is, quite simply , one of the greatest films of all time. No other actor could have played the lead as well as Klaus Kinski, and no other director could have conceived eschewing props and actually hauling a 300 ton steamship over a mountain, or, for that matter, hiring warring tribes of headhunters as extras.
It works.
The story is set in the late 19th century when rubber (and robber!) barons created great wealth in the remote jungles of South America, built on the monopoly of the rubber plant. We moderns know that this artificially created civilisation will soon collapse, when the plant is smuggled out; so what better setting than these ephemeral cities of gold and palaces of opulence to tell this tale of man's capacity to dream?
Here is a world where elegance mingles with crudity. In one scene, a millionare, proud of his collection of rare carps, tosses them them large bills, while he jokes in front of an impoverished Fitzcarraldo about how fond the fish are of the taste of money.
Fitzcarraldo has a passion for opera. If the viewer does not share this, the film can still makes sense, provided the viewer has a passion for SOMETHING. If not, forget it. It'll be incomprehensible to anyone without blood in his veins. Just the story of a nut.
Not that Fitzcarraldo is not er . . .speculative in his business schemes. When he announces to his lover, a successful brothel keeper, (Claudia Cardinale) " I have an idea! " She responds with: " Oh, no! Not another one! "
But she bankrolls him, nevertheless. Now all he has to do is--well, as Einstein once eloquently said, to achieve the impossible, we must attempt the absurd.


One of the Greatest Films Ever...I Was Stunned

It shocks me that I had never even HEARD of "Fitzcarraldo" a week ago (nor did I know who Werner Herzog was), and now that I've seen it I consider it to be one of the 10 best films I've ever seen in my life, right up there with "Vertigo," "Once Upon A Time In The West," and "Rashomon."
The pacing of this film is slow, languid, and dreamlike, and allows the viewer to really immerse him/herself in the brooding jungle atmosphere. I never realized how contrived most American movies felt, until I experienced the stark reality of Werner Herzog's documentary-like style. "Fitzcarraldo" blurs the line between reality and drama, utilizing actual natives in conjunction with his character-actors (including the brilliant and intense Klaus Kinski), who subject themselves to real hardships in order to lend the film legitimacy. The result feels like a cross between a surreal daydream and something out of National Geographic.
The transfer to DVD is virtually perfect. I was awestruck at the quality of the video and audio on this disc. The picture is gorgeous, in sweeping, flawless widescreen, and the sound is bright and alive. There are few extras on this disc, but the film itself was so satisfying that I didn't care.
I highly recommend the boxed set entitled "The Herzog/Kinski Collection," as it contains excellent DVD versions of all 5 of their collaborations, as well as Herzog's tribute to Kinski entitled "My Best Fiend," a fascinating portrait of their bizarre, yet intensely creative, working relationship. It will add to your appreciation of "Fitzcarraldo" and all of their films.


Caruso on the Amazon!

It seems almost ridiculous to add yet another praise-filled review to the heaps already expressed here, but such a consummate piece of art like, 'Fitzcarraldo,' deserves the most it can get. Since others have brilliantly summarized the plot, I'll concentrate instead on why one should 'treasure' the three perfect hours of this film.
Rare is the film nowadays that says so much with so little. Dialogue is used very sparingly throughout Fitzcarraldo, but that's all the better, for Kinski's Fitzcarraldo doesn't need words to express his dream. Every close-up of that intense face tells more than two hours of annoying chatter ever could. With his sharp features, searing gaze and untamed mane, Kinski is indeed Brian Sweeney Fitzgerald. A man possessed by his dream, by his mission to bring one of the most delectable of human creations, opera, to the 'wilds.' I agree most wholeheartedly with that reviewer who mentionned the role of Kinski's hair. It indeed has a life of its own and it mesmerizes the viewer. Like the antennae of Fitz's spirit, it stiffens in determination to see his passion come to bear, and then flys off his head, when the dream is realized. Every single second of this masterpiece is artfully necessary. Every stony gaze from the Indians, every sweeping shot of the misty jungle fits perfectly into place, creating a mosaic of colossal proportions. The scenes of the boat being painfully nudged over the hill mirror the struggle of creation itself. Or my favorite: when the Indians board the boat and meet Fitz for the first time. Herzog closes-up on how the chief gently touches, then rubs Fitz's palm. Two minutes that cast us into eternity. What could it mean? A symbol of our underlying brotherhood, a first 'clash' between 'the civilized' and 'the wild?' I don't even pretend to know, nor do I particularly care, for the soothing, almost sensual warmth of the scene brings that inner peace that all great art should.
Ponderous? Deliberate? Yes and rightly so. Good things, great things, whether they be an exquisite meal, passionate lovemaking or the creation of a masterpiece, take their own time, irregardless of the frantic chaos that surrounds them. Fitzcarraldo is one such 'time-less' experience. Dive in and revel in its every breathtaking second!
Not only does this film enrichen our senses, it strengthens our hearts. Fitz instructs us on we should pursue our dreams. With relentless faith. Believe and yes, we can move mountains! And move our weighty burdens over them as well. Yes, they are painstaking and for every inch gained, we lose two more. Yes, there are casualties. For ourselves and for others. And yes, nobody believes you can really pull it off, but in the end, you shall have your vindication as did Fitz. Caruso on the Amazon? Watch and believe!






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