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Get On The Bus
Year: 1996
Classification: Drama
Country: USA
Language: English

Actors/Actresses:

- Spike Lee
- Richard Belzer
- Thomas Jefferson
- Andre Braugher
- Ossie Davis
- Charles Dutton




Lee Hits us again with the polemics

Once again, Spike Lee hits us again with the polemics. Overall, the story is not bad. The basic idea of a bus ride to the MMM is a good one. SOME of the characters are nicely drawn, such as Charles Roc Dutton's bus driver, Ossie Davis as the patriarch, and the caring father of the wayward son. But the film is weighed down by Spike Lee's usual soapbox dialogue and polemics. Sadly, few of the characters in this film actually talk, they make speeches (as is the case with "The Red Menace" and "Putney Swope)." Like I said, the story itself is good and the above-mentioned characters are nicely drawn. But the dialogue? Go to the soapbox on 125th St. in Harlem as the Black nationalist pontificators pound the podium and you get the idea.


One of my favz - Great actors makes it a wonderful film

This is according to me a very good film, it's actually one of my fav's.BR>What makes it so good is the feeling u get from watching the movie, U feel that u are a passenger on the bus observing the others.BR>There are some great performances in this movie unlike Spike Lee's HE GOT GAME that had a player in the NBA in the lead and pretty much everybody except for DENZEL ; Hill Harper didn't know how to act.P>Great performances from GABRIEL CASSEUS, HILL HARPER, OSSIE DAVIS and the rest of the cast.


Spike Lee at his best and worst...

His best: social journalism. Nobody brings perennially pressing issues to the screen as consistently and vitally as Spike Lee---love or hate his films as you may, there's no argument that he does a superb job of provoking debate and reflection. Here it's Lee's two favorite topics, racial history/injustice/relations and (less prominently but still significant) gender/sexual issues...treated with a vast amount of humor and often insight.
His worst: at times some of his films implode when Lee gets on his soapbox and goes too heavy-handed---the Message blots out the Movie. This happens towards the last one-third, with the last 10 minutes especially preachy and contrived. The film craft breaks down, characters and dialogue that before had been pretty much spot-on suddenly verge into labored allegory and caricature.
It's like Lee drew up a laundry list of Pressing Societal Problems (brings to mind Larwence Kasdan's "Grand Canyon") and tried to allot 5-10 minutes for each one. Sometimes he does so with grace and wit, but sometimes he stumbles into glibness and stereotyping.
I was a little disappointed that Lee didn't show more of the actual Million Man march, maybe explore the controversial Louis Farrakhan a little bit more deeply. I was however pleasantly surprisd that Lee does take a fairly mature, gutsy stand on homosexuality and homophobia absent in some of his earlier films.
Had Lee made this film more as a straight (or pointed) documentary rather than trying to turn it into a heavy-handed inspirational treatise, I'd gladly give it 5 plus stars. Even in its current form it's well worth watching.






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