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Harvard Man | Year: 2001 Classification: Drama Directed: - James Toback Actors/Actresses: - Rebecca Gayheart - Adrian Grenier - Sarah Michelle Gellar Actually, Sarah Michelle Gellar is more than eye candy here I watched this movie because it had Sarah Michelle Gellar in it and I am a big fan of "Buffy the Vampire Slayer." I am not, in common parlance, hot for Gellar (Alyson Hannigan's smile does it for me), but for those who check out "Harvard Man" specifically to enjoy the actress this film starts to deliver while the image on the screen is still blank. However, it will not take long for you to figure out that Gellar is just eye candy in this film (even more so on the DVD) because the real focus is on the character of Alan Jensen (Adrian Grenier), the alter-ego of writer-director James Toback who takes a kitchen sink approach to loading problems on this particular Harvard student to make his life explode for our cinematic enjoyment. Alan is the point guard for Harvard's basketball team, who is "seeing" Cindy Bandolini (Gellar); she is not only a cheerleader at Holy Cross, but her father (Gianni Russo) is also the chief Mafioso for the Northeastern United States. He is also seeing Chesney Cort (Joey Lauren Adams), a Harvard Philosophy professor with one of the more interesting lecturing voices in the history of academia. But then Alan's life is disrupted by a tornado in Kansas that wipes out his family's uninsured home and a chemistry student friend who has baked up some new and improved LSD. So Alan needs $100,000 and suggests to Cindy that maybe her father can float him a loan. Cindy reports that this can happen, but Alan would have to do something in return and suddenly we are into the wonderful world of point shaving in the big Harvard-Dartmouth game. If this was not enough fun, Alan pops the acid just as the FBI are about to make their presence known. Almost all of the above action takes place to the accompaniment of music by J. S. Bach. "Harvard Man" will remind you of some of Toback's earlier films, especially his first script for "The Gambler" and his 1987 "The Pick-Up Artist." These a films where not only are we watching interesting things happening to the characters, but where the characters tend to explore themselves and their actions in great detail (a tendency that extends even to the Mutt and Jeff Mafia hitmen running around in a sub-plot). For those of us who remember drug sequences from Sixties films trying to represent acid trips, "Harvard Man" is relatively tame and Toback ends up trying to pull a rabbit out of the hat at the end to set things right. Still, Gellar actually does end up with more to do in this film than look good and the story managed to get Eric Stoltz, John Neville and N.B.A. superstar Ray Allen on board. "Harvard Man" ends up being a high-paced roller coaster ride in which you have no idea how it is all going to play out, which is certainly nothing like being boring and predictable. ... Actually pretty good First off, as a rather big SMG fan, I cannot believe this film has received lower ratings than "Simply Irresistible"! That was a limp, wooden "romantic comedy" featuring a couple who lacked any chemistry. "Harvard Man", on the other hand, has a modicum of style, plot, and intelligence behind it. It doesn't really work in the final analysis - not because of any failings of the acting, which is mostly excellent (although I just can't overcome my aversion to Joey Lauren Adams' squeaky voice), but because the movie doesn't quite hit the pitch of danger that I felt it needed to sustain the drama. Toback, however, does compelling things with sequencing, flash forwards and back, and with camerawork, split-screen and so on, and the dialogue is mostly fine. The lighting has a nice grainy amber texture to it and the soundtrack is a fun mix of hip-hop and classical. Grenier in the lead does well, Stolz and Gayheart are great, and Sarah Michelle - and yes, I do have a slight bias - proves again that she has excellent range. As well as being a cutie-patootie. "Scooby Doo" and all is fine, but please, SMG, pick a project that will demonstrate your dramatic chops to the non-believers out there! I'd love to see her do work on the big screen as fine as that in "The Body" or "Innocence" in BtVS... Quite possibly the most annoying movie ever made I am a little surprised that Harvard has not sued the makers of this film for associating the ivy-league college with such a horrible cinematic experience. I, like many, sought this film out because Sarah Michelle Geller was in it; when I learned Rebecca Gayheart was also in the cast, I thought to myself: How bad can a film with both Geller and Gayheart be? Let me tell you: pretty doggone bad. First and foremost, the storyline and script are simply dreadful and ill-conceived, and these problems are only exacerbated by the prominence of some untalented actors in the cast. Alan Grenier is Alan Jensen, supposedly the starting point guard on the Harvard basketball team, despite the fact that he is rather short, has no semblance of athletic skill, and really doesn't even try to look like he knows what he's doing when he's on the basketball court. Honestly, this is one of the worst casting decisions I've ever seen. Did I mention the fact that his acting skills also seem to be in short supply? Sarah Michelle Gellar plays Cindy Bandolini, the unprincipled daughter of a mafia don and girlfriend of Alan; talk about your odd couple; several love scenes between the two are just icky. Of course, our ruggedly unhandsome Alan is not content with Cindy; no, he is also sleeping with his philosophy professor Chesney Cort (played by the helium-voiced Joey Lauren Adams). Back in Kansas, a tornado destroys the home of Alan's parents, and he is determined to get the one hundred thousand dollars needed for them to rebuild. In steps Cindy with a plan to make a killing off a sports bet; all Alan has to do is throw the big game against Dartmouth. Soon, the FBI is nosing around, everybody sort of panics, hope rises in the viewer that at least one of these dreadful characters will die, and then a pretty impossible if not ludicrous ending is thrown together at the end. You don't really even care how bad the conclusion is because you are just glad the film is finally over. I don't think I've ever seen a movie go to such lengths to annoy its audience. Almost every scene features what I would call stop gaps; every few seconds, the film seems to jump a few frames for no reason whatsoever; this is a short-term technique that should be used sparingly, but the director of Harvard Man shot the entire movie this way, and it made me want to scream. Then there is the music; it's just awful, and even worse it is constant and far too loud most of the time. I guess a lot of it is supposed to sound Italian or something, even though the Mafia bit is not that important to the film. The inclusion of Ray Allen, an actual basketball player, in the movie also makes no sense. When Allen's character talks to Grenier, both of them seem to be in a race to see who can say his lines the fastest, and Allen tries so hard not to look like a professional basketball player that he ends up looking just as bad as everyone around him on the court. Just when you think things can't possibly get any Buy Harvard Man at Amazon.com Buy posters at Allposters.com Jamster - the latest ringtones for your phone!  Search with Walhello on the Internet on Harvard Man Search with the Priority Search Engine on Harvard Man This page in other languages: Suomeksi | Nederlands | Deutsch
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