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I Want to Live




The film that changed my attitude!

I feel that many cold-blooded criminals that're in jail probably deserve the death penalty, but when we can't prove beyond a reasonable doubt that they actually did the crime, then it's time to admit a mistake ; let the falsely accused go free! This is a prime example of criminal justice gone wrong. The heartbreaking true story of Barbara Graham, who was wrongfully executed for a grisly murder she didn't commit. I knew the story before watching this, yet up to the very end I kept on hoping that Barbara, brilliantly played by Susan Hayward, would be granted another trial to prove her innocence. The tension is almost as unbearable for the viewer as it is for poor Barbara as she counts the hours ; finally minutes before her execution. I'll admit, early in the movie it's difficult to sympathize with someone so amoral, but by the time she's pleading for her life we all feel terrible about her situation. I haven't seen many of Susan Hayward's movies, but her performance in this (which won her an oscar) is equal to anything Bette Davis or Joan Crawford ever did (; that's saying a lot!). If you're looking for a great Susan Hayward film, you've found it! This powerful film convinced me that the death penalty is not the best way to deal out justice. Consider Charles Manson: Now of course he deserves to die, but don't you also think he deserves to rot in jail the rest of his life? Whatever your current opinion about the death penalty, I gurantee this movie will make you think twice!


Hollywood Enters Debate Over Capital Punishment

This powerful crime drama is based on the actual case of Barbara Graham, who was executed in the gas chamber for murder amid debate about the severity of her punishment. Susan Hayward gives a tour-de-force performance as the tough prostitute (for which she won an Oscar) who insists that, if anything, she was no more than a petty criminal framed for murder.
P>Robert Wise's direction (nominated for an Oscar) included emphasis on minute detail, most noteworthy being the compelling way in which the particulars of the execution are shown. After viewing this film, viewers on either side of the death penalty issue will search their souls for answers to how they truly feel about a human being's "legal murder", regardless of innocence or guilt.*****


Excellent fare written to showcase the lovely Miss Hayward

Susan Hayward was one of the best actresses ever. I just love to watch her. The only real talent to come after her was Faye Dunaway. Anyway, "I Want to Live!" was Hollywood's scathing indictment of the death penalty and is the film for which Susan Hayward is best remembered. It is her Oscar-winning performance. Frankly, I liked her a lot better in "I'll Cry Tomorrow" "Smash Up: The Story of a Woman" and "With a Song in My Heart." I thought she was much better in those, but the Oscar had eluded her, so they wrote this screenplay full of plenty of dramatic scenes to get her the Oscar she rightfully deserved. It worked.
The dialog and plot are excellent and her scenes as the condemned woman hours from execution are still extremely powerful today. In some ways, Susan Hayward was at her very best, and with the perfect script, a rare combination. You still sit there rooting for her to get that stay of execution in the movie, the movie grabs you that much. I've watched this film about 10 times, she never gets the stay, but the situations are so real, you root for one every time.
The only thing that to me does not make this Miss Hayward's best role (apart from maybe a handful of scenes) is that Barbara Graham, the real-life death-row inmate portrayed here, was a low-budget, crude, herion addict who got along by using men, doing petty thefts and sometimes being a prostitute, and I don't mean the $100 an hour ones that come to your hotel room. We're talking low-class street woman. Miss Hayward is nothing of the kind, she doesn't have that look or manner. Though the prison and death penalty scenes and themes are excellently and realistically portrayed here, you feel like you're watching a wrongfully-convicted society woman, nun, or school teacher getting the gas chamber, not a two-bit street prostitute/heroine junkie/thief. I don't think this necessarily takes away from the movie much or how it grips you, but for this reason, I'm not sure I would rate this the best of Susan Hayward. The Oscar was righting previous wrongs, in my opinion.
I highly recommend this film, and if you like it, try some of Susan Hayward's other films. She was really outstanding!






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