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Inventing The Abbotts

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Inventing The Abbotts
Year: 1997
Classification: Drama

Actors/Actresses:

- Jennifer Connelly
- Billy Crudup
- Joanna Going
- Ron Howard
- Shawn Hatosy
- Michael Keaton
- Joaquin Phoenix
- Will Patton
- Liv Tyler
- Julie Benz
- Shawn Hatoshy




A rare love story with plot twists

Based on a rather depressing short story, this is the only movie I've seen which I can honestly say is better than the book it's based on. It still surprises me that the critics weren't more impressed with it than they were.
Although Inventing the Abbotts is centered on two well-treaded themes - love across a class divide and bad blood between families - it takes enough of a new approach to avoid cliches. For one thing, the animosity between the rich Abbotts and the working-class Holts is selective, with varying degrees of friendship and respect between certain members of each family showing through alongside the bitterness between others. The exact cause of that bitterness, centered on a long-ago business deal between the two families' fathers, is a combination of mystery and misinformation to the main character, Doug (Joaquim Phoenix). The resolution of that mystery plays out alongside Doug's changing relationship with the Abbotts' youngest daughter, Pamela (Liv Tyler) throughout the film, thus preventing the forbidden-love motif from becoming overbearing.
But the movie does remain a love story at heart, and Phoenix and Tyler are remarkably well-suited to the task. (They apparently were a real-life item for some time after filming - and the sincerity shows.) Complicating the picture are Doug's bitter, jealous elder brother Jaycee (Billy Crudup), who sows discord among both families throughout the film; Pamela's troubled relationship with her sisters and parents; and the hazards of growing up in general. In keeping with the avoidance of stereotypes and cliches, character development is strong almost across the board. The Holts' relative poverty is neither romanticized nor used exploitatively; and if the Abbotts prove that money can't buy happiness, neither are they made out to be shallow or heartless.
The 1950s setting is painstakingly executed as well, featuring a Smithsonian-worthy collection of period appliances, furniture and other everyday items (not to mention an authentic Greyhound bus). The lack of any racial diversity or an overtly political message about that era's injustices might be of some concern to the sensitivities of the politically correct, but the film does in fact address some such concerns (particuarlry the oppression of women) in a subtle but effective fashion.
For my money, this is perhaps the most underrated movie of the 1990s. Buy it while it's available!


Engaging Story, Good Performances

The lives of two brothers living in a small town in Illinois are profoundly affected by an alleged incident which took place even before one of them was born, in "Inventing the Abbotts," directed by Pat O'Connor. The Abbotts are one of the wealthiest, most respected families in Haley, Illinois; Lloyd Abbott (Will Patton) is a successful businessman who, along with his wife, Joan (Barbara Williams), has raised three daughters, the oldest of whom, Alice (Joanna Going), is about to be married, while the youngest, Pamela (Liv Tyler), is about to graduate from high school. The Holts, on the other hand, are from the other side of the tracks, and Helen Holt (Kathy Baker) has had to raise her boys on her own. John (Billy Crudup), the oldest, was two-years-old when his father was killed in an accident, while Helen was pregnant with his brother, Doug (Joaquin Phoenix). There's no mystery about what happened in the accident; the bone of contention concerns what happened afterwards-- at least in the eyes of John, even all these years later as he is about to enter collage.
John and Doug's father, it seems, had been business partners with Lloyd Abbott, but after his death, a patent that Mr. Holt owned somehow ended up in Lloyd Abbott's name, making him a wealthy man, while the Holt's ended up in their current state of affairs-- not exactly poor, but barely making ends meet. And since his youth, John has been fixated with the Abbotts, especially their daughters, and one in particular, Eleanor (Jennifer Connelly). But as with most things involving an obsession, it only put John on a lifelong emotional road to nowhere.
Told from Doug's point of view, the story becomes a lesson in life; when to leave the baggage of things best forgotten behind and move on. Phoenix gives an affecting performance as Doug, who has an on-again-off-again relationship with Pamela, the one sister who is, "Just there," as she says (according to her, Alice is the "good" one, Eleanor the "bad"). He captures that sense of being at an age when uncertainty is the only absolute, and you feel his need to search and seek out that toe-hold on life that is often elusive to the young. There's an understated ring of truth in his portrayal that adds that depth which makes his character credible, and one to whom it is easy to relate.
Crudup delivers, as well, with a performance wound in introspective tension so tightly that there are moments when it seems almost tangible. He carries a burden-- that from which his obsession was born-- and it shows. John has so much going for him (the love of his mother and brother; good looks; intelligence), that watching him suffer so emotionally-- even at arm's length-- is sad to see, especially in light of the fact that it is so unnecessary. Still, some of his actions (especially one late in the film) are intrinsically almost too brutal to forgive; only so much, after all, can be buried amid rationalization. In the end, you feel for him, but only so f


steve

Only reason I saw this film was for Michael Sutton. He plays the character named Steve. BR>Very good movie!






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