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Memphis Belle
Year: 1990
Classification: War

Directed:

- Michael Caton-Jones

Actors/Actresses:

- Matthew Modine
- Tate Donovan
- Eric Stoltz




Twelve O'Clock Medium...

If you can penetrate (like a B-17 cutting through cloud cover) all the character cliches and a certain old-fashioned hokey aura, you'll find a harrowing depiction of daylight bombing, circa 1943. What you won't find is an accurate account of the real Memphis Belle's 25th mission, or anyone resembling the actual men who flew her that day.BR>
Matthew Modine captains this fictionalized crew, with support from resentful co-pilot Tate Donovan, dishonest bombadier Billy Zane, panicked navigator D.B. Sweeney and wiseacre belly gunner Sean Astin. Tailgunner Harry Connick, Jr. gets to display his vocals and piano skills in a musical number, dedicated to waistgunner Eric Stoltz, that stalls the film in the early going.
BR>
While the real Memphis Belle experienced a somewhat less dramatic run to a different target, this film's mission is to depict the aerial terrors of that year in Europe, when American airmen suffered more losses than any other branch of our armed forces. Direct hit! Massive B-17 formations thunder across the sky, flak rips planes apart, and in one chilling moment, an enemy fighter slices one bomber in half, and our heroes hear the panicked screams of its doomed crew over the radio.
BR>
The battle scenes are horrific, and the character scenes are just horrible. It's not that the acting is of poor quality; it isn't. It's that each crewmember faces some sort of hackneyed personal crisis and comes through in true cliched fashion, which somewhat cheapens what the real crew experienced. It's literally one thing after another, a bombing run as group therapy. The film relies exclusively on stock Hollywood types, rather than human beings. Plus, Sweeney's fearful character does a disservice to the real Belle's navigator. Modine comes off best, with his youthful appearance and dedication, as he admonishes his crew not to shout their targets over the intercom. John Lithgow has the thankless task of portraying the coldblooded PR officer who's more concerned with publicity tours than the men's welfare, or their mission's stategic/tactical importance.
BR>
Despite its failings as a "true" story, this is a film worth watching. Not until "Saving Private Ryan" would a film surpass "Belle's" depiction of nerve-wracking combat.


Almost Realist

This is the first of a line of movies depicting shear guts in the face of a real enemy. Afterwards came the likes of Platoon, Saving Private Ryan, Thin Red Line, The Windtalkers, Blackhawk Down and We Were Soldiers.
Memphis Belle gets a bit schmaltzy in the beginning, focusing on the crew and not the reality, but the scenes of flying into the fire makes you respect the guts that generation displayed.
I really thought that using the actors (all around 21 to 25) was a great touch, and made me sit back and think about what I was doing at that age (Nam) and what my dad was doing (WWII). Whew, take a bunch of amped up young men and throw them into harms way. I wonder if older, more comfortable men would have done that?
And I thought flyboys had it easy. Everyone directly engaged was slugging it out. My Uncle used to say that the papers in WWII wouldn't focus on both fronts simultaneously, if the European campaigns were having a fight, the Pacific theator was talked about briefly or that the Marines were doing okay... he said that wasn't the case, everyone was fighting hard to stay alive, not just to win the war. From the individuals perspective it was a matter of survival, not glory. The glory came later.


Great movie!

This is a movie that I was introduced to when I was young. It really made me appreciate what men like the ones in the movie did for our country. It also turned me on to WWII aviation as well as movies that go for the heart. I would recommend this movie to anyone.
See how many familiar faces you can spot.






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