|
| • Advanced Search • Help |
Mighty Aphrodite | Year: 1995 Classification: Comedy Actors/Actresses: - Helena Bonham Carter - Michael Rapaport - Mira Sorvino - Olympia Dukakis - Woody Allen Damn what a good film There seem to be three camps when it comes to Woody Allen. (1) People who love his earlier works and villify his most recent films (2)People who love all of his films (3) People who hate Woody Allen, his films, and anything else related to him. I belong to the second group, and like most of his films. Mighty Aphrodite is a great movie, featuring the performance that put Mira Sorvino on the map. This film also contains a great performance by Michael Rappaport, who has gone on to do more stellar work with Allen. Every time I watch this movie I laugh. If anything, see this film for the Greek chorus led by F. Murray Abraham. Like most of Allens more recent works this film is funny and wacky, while at the same time you don't leave the movie feeling as if you've lost brain cells by watching it. Different...and in a great way!!! MIGHTY APHRODITE is Woody Allen's wildly successful stab at Greek comedy/tragedy. He stars as Lenny Weinrib, a sportswriter married to ambitious Amanda Sloan (Helena Bonham Carter), who desperately wants her own art gallery in New York City and is willing to play the game to get it. Amanda convinces a reluctant Lenny to adopt, and they end up with a beautiful baby boy they decide to name Max. He grows up to be bright and very intelligent for his age, so Lenny becomes obsessed with finding out who Max's biological parents are. O course, he is not exactly happy when he discovers that the mother is a high-pitched actress wanna-be who is also a minor porn star and hooker (Mira Sorvino, in an Oscar-winning performance). Lenny is determined to turn her life around--but at the same time is forced to examine his own marriage, which is slowly falling apart. Allen intersperses New York City vignettes with hysterical scenes of a Greek chorus, led by F. Murray Abraham, chiming in about Lenny's life, comparing it to Greek drama, and breaking out into song-and-dance numbers. It works exceptionally well and adds a fascinating element to the already intriguing plot. Mighty Awful It has all the subtlety of a train wreck. Woody Allen is a clever man, and indeed there are several good zingers, but each one is repeated in such a juvenile manner that I fear Mr. Allen doesn't give his audience enough credit for getting it the first time. For example, there is a scene where Woody is matchmaking two idiots. He declines their invitation to join them by saying, "No, thank you. I'm superfluous." To which one idiot replies, "Oh, you're not feeling well?" What a great zinger! But then he belabors the joke by going on: "No, SUPERFLUOUS. Uh... superfluous means unneccessary... I'd only get in the way..." This sort of audience-coddling continues throughout the movie, right up to the end, where even the final scene is amended with a clumsy explanation for the dim-witted. The movie ends with the same gag (a Broadway-Greek chorus) that has already been done 3 times in the last 95 minutes. We got it the first time, Woody. Acting? You'll hardly notice. The characters are such obvious, stereotypical caricatures that they become entirely boring and predictable--if not offensive to Jews, women, boxers, hairdressers, husbands, wives and barkeeps. I was embarrassed for the lot of them. Unless you, too, are stuck in the sixties, you might do yourself a favor by skipping this one. Woody even managed to waste the incredible talent of F. Murray Abraham! Buy Mighty Aphrodite at Amazon.com Buy posters at Allposters.com Jamster - the latest ringtones for your phone!  Search with Walhello on the Internet on Mighty Aphrodite Search with the Priority Search Engine on Mighty Aphrodite This page in other languages: Suomeksi | Nederlands | Deutsch
|
