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Moulin Rouge
Year: 1952
Classification: Drama

Directed:

- John Huston

Actors/Actresses:

- Ewan Mcgregor
- José Ferrer
- Zsa Zsa Gabor




No Absinthe of Malice?

First of all, why is the VHS out of stock? Also, why is there no DVD? Shame on somebody!
Many of those who have seen the film directed by Baz Luhrmann and starring Nicole Kidman (2001) may not know about this film which appeared about 50 years earlier. Based on Pierre LaMure's biographical novel and directed by John Huston, this Moulin Rouge focuses entirely on the life of Henri de Toulouse-Lautrec. Two years previously, Jose Ferrer received an Academy Award for leading actor in Cyrano de Bergerac. He was nominated again in 1952 for his portrayal of Toulouse Lautrec (he also plays the painter's father, Comte Alphonse de Toulouse-Lautrec, a small but significant role in this film), losing to Gary Cooper (High Noon).
How interesting that each of Ferrer's two greatest performances on-screen is of a French aristocrat with a significant physical deformity who encounters only failure and despair in his love life. In any event, Ferrer is brilliant in a cast of consistently high quality. As chanteuse Jane Avril, Zsa Zsa Gabor essentially plays herself: beautiful, vain, melodramatic, self-absorbed, good-hearted, and charming. Also noteworthy are Colette Marshand (as Marie Charlet), Suzanne Flon (Myrianne Haven), Katherine Kath (La Goulue), and Christopher Lee (Georges Seurat). Although nominated for several Academy Awards, this film received only two (for Color Art Direction and Color Costume Design), both richly deserved. Huston skillfully directs an excellent cast while blending seamlessly Oswald Morris' cinematography with George Auric's musical score.
Born in 1864, Toulouse-Lautrec spent his childhood years on family estates near Albi, with Paris becoming his home in 1872. The victim of a genetic bone condition that made him vulnerable to fractures, he walked with a cane by age thirteen and grew to be only four feet eleven inches tall. One example of Huston's genius is the fact that much of the film is shot from Toulouse-Lautrec's perspective. That is, we see the aristocrat-artist's world almost literally through his eyes as he sits and sketches in the music hall, then drags himself to his stunted feet and slowly, painfully resumes his late-night debauchery.
In frail health throughout his adult years, Toulouse-Lautrec exacerbated his situation with alcoholism which no doubt hastened his death in 1901. Lying in bed and near death, he learns from his astonished father that his paintings will be on exhibition at the Louvre. ("The Louvre, Henri, the Louvre! I did not know, Henri, I did not understand....") This final scene reminds me of the final scene in Goodbye, Mr. Chips (1939), starring Robert Donat. Both Toulouse-Lautrec and Charles Chipping are near death, barely conscious. Both imagine being visited by those they once knew, bidding them a fond farewell. For Toulouse-Lautrec, the performers from the Moulin Rouge; for Chipping, many of the boys he taught over a period of several decades at Brookfield School.
This film is a


1952 VHS of Moulin Rouge

The entire movie of Moulin Rouge was excellent.BR>I enjoy performances of arts that depict either near authentic or authentic period clothing, which this film provided both.BR>The Acting by Jose Ferrer was superb especially considering he is a tall male and played a "crippled" short fellow named Henri de Toulouse-Lautrec; which from my understanding this was done completely on his knees, how they portrayed him walking down the street where you see both the front and back of him must of only been accomplished with his feet tied to his upper legs (this is my guess - I could be wrong about that part). You can see his actual height while he is playing the character of the Count (Henri's father). By all standards, this film provides what seems to be "real life" people from 1890's of Paris. It shows many facets of life from the very poor to the extremely wealthy. However, this movie does not state it is based on a true story, but on the novel "Moulin Rouge" by Pierre La Mure. It is however, a work of art. I especially enjoyed the "can-can" dancing and music. If you are into the period clothing and dancing this is a good film to watch. BR>If you are interested in other movies that include "can-can" dancing and music, check out Can Can with Shirley MacLaine.BR>Hope this review has helped you.


Stunning DVD transfer!

How nice it feels to be 100close to tears when I think of the horrible treatment they gave Garland's "I Could Go on Singing" recently!) This is certainly one of the best three strip Technicolor transfers available on DVD. The image quality is absolutely gorgeous from start to finish! I find it hard to believe that this haunting work of art looked any better when it was initially shown in first class cinemas way back in 1952. I've seen Mr. Huston's film maybe 50 times over the years, but never in my wildest dreams could I ever imagine that it was possible to restore it into something as beautiful as this DVD. A loud BRAVO to MGM!






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