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Ossessione | Year: 1943 Classification: Foreign Film - Italian Directed: - Luchino Visconti Actors/Actresses: - Clara Calamai - Massimo Girotti Traumatic but absorbing ride Unhappy people in unhappy circumstances. Gino is a drifter. Not because he has no talent. He is a lost soul looking for an undefined future and is determined to not be tied to anything until he finds his personal nirvana. Giovanna wants the security of being settled, but is unhappy with the man who made it possible. She too, is a lost soul in search of an undefined future. With only passion as a common denominator, they cast their lots with each other and start in motion a chain of events that brings none of the joys anticipated. Don't expect this movie to be a study of life in WWII Italy. Though made during the war, it is never an issue. Indeed, with the prevalence of young men throughout the movie, it is more likely an image of pre-war Italy. And although some reviewers speak of subtle references to homosexuality, such is unnecessary in describing the Spaniard. Identical scenes in American Westerns are understood to be simply friendship and the necessities of circumstance, i.e., one bed and two people in need of sleep. Every nuance of the movie hinges upon the passion of Gino and Giovanna, complicated by his desire to be going somewhere, anywhere, and her desire to remain settled. It's a traumatic but absorbing ride, even with the distraction of reading sub-titles. FATALISTIC NEO-REALISM..... Early Italian version of James M.Cain's "Postman Always Rings Twice" by Luchino Visconti is the best I've seen. Set in a sparse Italian village in the white heat of summer, a drifter named Gino begins an affair with Giovanna, the unhappy wife of a cafe owner who offers him work. She tries to leave with him but returns to the husband afraid of giving up what little security she has. The drifter continues on the road and takes up with a self-styled King of the Vagabonds who does street shows and happily lives on nothing. The vagabond is attracted to Gino but Gino (who's hungry for more out of life) can't forget Giovanna. Later, Gino's and Giovanna's paths cross again and murder binds them together in a fatal (and ironic) bond. Earthy and stark storytelling as well as excellent cinematography make this a compelling film to watch. The acting is remarkable as is the casual sexual frankness that was off the screen in American films at the time. The utter desperation of the two characters' lives is beautifully realized and is nicely contrasted with the vagabond's existance that he is clearly happy with. The ending is unforgettably done. "Ossessione" is rich with atmosphere and detail and laden with irony. Highly recommended as a vintage classic of Italian cinema. Visconti's First Film As many of you know, this is the first film adaptation of James M. Cain's novel, "The Postman Always Rings Twice", but there's something, that to me is even more important than that. It was the first film made by one of my favorite directors, Luchino Visconti.<BR> Before I saw this movie, I think like most I saw the two American films first. When you watch those movies first and try to compare it to this, this one will come off being much different. It doesn't seem to follow the same formula. There were two things that bothered me about this movie and they both deal with the same thing, the death of the husband. First of all I didn't like the way the idea was approached. There wasn't much of a lead in. Though, in fairness, we do "sense" it will happen. Secondly, if you remember in the American versions, remember how well planned out everything was? They both made sure that they had all the angles figured out. They made sure they had a witness seeing that the husband was drunk. That was something I liked about the movie. How it showed this "perfect" plan. Visconti doesn't allow such detail into the actually murder scene. Infact, he offers none. Does that ruin the movie? No, but, it would have been nice if Visconti would have given the movie more detail.<BR> Clara Calamai plays Giovanna Bragana the unhappy wife who wants to murder her husband. Massimo Girotti is Gino Costa, the man who help Giovanna kill her husband, so they can be together. Finally there's Juan de Landa, the husband. Now most of the movie follows the story most of us are familiar with. There are some small changes in this movie though. I can't clearly remember the American movies, but I don't remember in either one, the woman coming on to the guy first. In this movie it's the woman that makes the first move.<BR> Luchino Visconti to me has always been a bold filmmaker. He made the kind of films he wanted to make. All of his films, including this one, are all about much more than meets the eye. This movie for instance isn't just a movie about a murder, it goes deeper than that. Or what about "The Innocent". It's not just merely a movie about a man having an affair. Visconti is making a comment on high society. Though, of all the Visconti films I have seen my favorite would probably be "Ludwig".<BR> If you've never seen a Visconti film, I'm not quite sure this is where to start. "Ossessione" is a good movie, but, I don't think it captures Visconti's style at his best. You should see this movie though, but, maybe after you've seen "The Innocent", "The Leopard", & "Death in Venice". From the three versions of this story I think this one and the 1946 version our my favorite. Most people didn't like the 81 film.<BR> Here's a little triva for everyone. Did you know that French filmmaker Jean Renoir gave Visconti the idea to make this movie? Did you also know that Visconti never read the book. Renoir gave him a Frenh translation of a script made before. <BR> Bottom-li Buy Ossessione at Amazon.com Buy posters at Allposters.com Jamster - the latest ringtones for your phone!  Search with Walhello on the Internet on Ossessione Search with the Priority Search Engine on Ossessione This page in other languages: Suomeksi | Nederlands | Deutsch
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