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| Rising Sun
Year: 1993
Directed:
- Philip Kaufman
Actors/Actresses:
- Sean Connery
- Wesley Snipes
- Harvey Keitel
- Cary-Hiroyuki Tagawa
- Kevin Anderson
- Steve Buscemi
A great novel, an okay movie
There's no question that the novel upon which this movie is based is infinitely more complex and subtle. That being said -- when isn't that true in a comparison between paper and film?
Moving on to the film itself... the story is ostensibly about a young woman found murdered in a Japanese corporation's hq during a major gala. This main plot intersects with the secondary plot about this same corporation's controversial impending buy-out of a major American chip manufacturing company, thus potentially putting American secrets into Japanese hands.
What the movie is really about, of course, is the buy-out of an impoverished, corrupt, lazy, disorganized, and short-sighted America by the evil, manipulative, unfeeling, unsportsmanlike, and well, un-American, Japanese. There's no question that the anti-Japanese tone of Crighton's novel is carried directly to the screen.
That being said, this is a fairly interesting murder mystery, with lots of good red herrings and complex strategy involved in solving the case. It also has some interesting predictive scenes about the easy manipulation of video technology -- cutting edge in 1993, but commonplace now.
Sean Connery is his smooth, masterful self in this movie, and Wesley Snipes, while not given much to do except react in bafflement to both the Japanese and his new mentor, does the best he can.
The film is a bit long, but a perfectly satisfactory rental, esp. if you like Connery or Snipes.
The thinking man's action flick
Michael Crichton's RISING SUN (and that's both movie and book) is sheer brilliance. Unfortunately for the average American moviegoer, this is a flick too loaded with subtleties and hidden clues to appeal to someone who's used to more explosions, shootouts, and decisive final confrontations. You must pay close attention to every line of dialogue in order to keep up, and in this the average viewer is going to lose interest. Which is a pity, as you are kept guessing throughout --it's presented in such a way as to enable you to see the point of view of almost every character. Snipes and Connery work extremely well off each other, Harvey Keitel plods through his usual role, Cary Tagawa shines as the unfortunate fall guy stuck between East and West, Tia Carrere proves that she's MUCH more than mere 'Wayne's World' eye candy, and the film's few deviations from the novel do not detract from the suspense --they actually help to keep the plot moving.
Don't believe the reviews --this movie is most emphatically NOT racist Japan-bashing; in fact such a reaction is even anticipated within the narrative. An excellent treatise on the mindset of the Japanese corporate and how ill-equipped American culture/politics is in dealing with it. Not overly violent, but there is a considerable amount of sensuality and a disturbing murder scene that, of necessity, is replayed over and over throughout the film --definitely not for children.
A lacklustre movie from an interesting book..
For one thing, the movie is a pale adaptation of a fairly decent book into an intended "thriller" tinged with pseudo-racial slurs. Sadly, these clueless bromides about a Japan of yore are probably all mistaken. For instance, we are made to believe that all Japanese "keiretsu" companies have a barrage of video cameras and monitor their employees 24 hours; a "sempai" (boss) and "kohai" (subordinate) have only one unilateral way of dealing with each other; a man who has lived in Japan for 18 years somehow just has to know a mysteriously effective form of aikido that only requires the use of 2 fingers to knock a man unconscious in a second; and oh, he has to have a Japanese wife (who btw does not look Japanese at all, and this is explained by the fruitcake theorem that one of her parents was black); etc etc...ad infinitum ad nauseum.
But as though the cultural glitches were not misplaced enough, the acting in this plotless movie is torrid too. Sean Connery scrambles to come off as an expert in all things Japan, but his Japanese is nearly incomprehensible. Minor nits about Japan are excruciatingly explained every minute of the movie bogging down the pace of a thriller beyond any semblance of thrill.
But above all, the central event -- a much-ado-about-nothing strangling of a girl during a business conference -- is pretty much left hanging in mid-air. Why was it done? We do find out after wading through an hour and a half of farcical Japan-Culture-Versus-US-Culture morass about WHO did it (and this was anything but a surprise) but WHY it was done is still a mystery to be addressed in a part 2 that we can only hope never sees the light of the day.
In a nutshell, a suspense movie without any suspense, stereotypical misgivings about Japan (the country does admittedly have its quirks but not so bird-brained), a plethora of ill-timed and abysmal attempts at humor without inducing any real laughs, the tired cliche of a black-cop/white-cop combo that start out with mutual chagrin but end up with a deep reciprocal esteem, and a Wesley Snipes perpetually dressed in a flourescent orange shirt.
With a Jackie Chan + Chris Rock/Tucker combo a flaky adaptation such as this could have meant some entertainment, but Rising Sun ends up being a painfully ordinary affair and a tragic squandering of a great cast over what was quite an alright novel. If you really must see the Japan of 90s, you'd learn a lot more by reading the book, or by watching "Black Rain" (Michael Douglas) or "Mr. Baseball" (Tom Selleck). Both of which don't jumble up on the reality and have a real story up their sleeves.
Buy Rising Sun at Amazon.com
Buy posters at Allposters.com
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