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The Court Jester
Year: 1956
Classification: Comedy

Directed:

- Melvin Frank
- Norman Panama

Actors/Actresses:

- Danny Kaye
- Glynis Johns




Jest Wonderful

Possibly the funniest musical comedy ever made. Even if you are not a Danny Kaye fan, you should try this movie. Don't be put off by the opening sequence, which looks rather dated now. The film contains some excruciatingly funny scenes, including the classic "Flagon with the dragon" routine. This is Kaye at his brilliant best.
The story (set in a mediaeval England which cheerfully makes no attempt at historical accuracy) is remarkably solid and complex, which helps maintain the film's brisk pace. In the theatrical version that I saw many years ago there was a rather gruesome torture scene which I felt was out of place. In the DVD version I watched, that scene was omitted. That leaves a hole in the plot (you may be puzzled as to why a significant character simply disappears half way through) but it's probably just as well - no sense in giving the kids nightmares.
So when you are in the mood for some good old-fashioned fun, put your feet up and summon "The Court Jester".


Charming and Hilarious Re-telling of the Robin Hood Story

I am not a great Danny Kaye fan, but this movie is one the the very funniest I've ever seen. Everything about it is excellent, from the production values to the songs & lyrics, from the fine quality of actors to the charm and wit of the dialogue and the story. There is literally nothing wrong with this movie. It is fit for all audiences, from the youngest to the oldest members of your family. I remember the first time I saw it, being struck by the fact that all the actors seemed to be having an absolutely marvellous time. Particularly during the Jester's first call at entertaining the court...unforgettable and sheer delight. Every single person on camera looked like they were having a wonderful time just being there. I hadn't seen anything like such a fine emsemble cast since 'All About Eve.' I think it must have been because there were no bad lines, no bad parts, no scenes that didn't work, and everyone had a chance to shine. Having a good material to work with really does make a world of difference. Stars Danny Kaye, Angela Landsbury, Basil Rathbone, and a host of marvellous British actors whose names are right now escaping my memory. Buy it. Keep it. Enjoy it for years.


Comedy Could Not Better Be!

In the history of the movies, fewer things are more amusing than watching Danny Kaye behave as Danny Kaye. Watching his films was a wonderful part of my childhood,and I remember being at home from High School on the day of his passing. I'm very glad for the legacy he has left us to enjoy. <BR> In "The Court Jester" he couldn't be more in his element as he amuses us with his usual patter numbers clever, tounge-twisting lyrics and sword play, and moves us with his loving care of the orphaned infant heir to the English throne. The scene of his lullabying the baby was shown as a tribute to him at the end of "Entertainment Tonight" the weekend after his death and it was a fitting tribute to him, his love of children, and the childlike sense of wonder he brought to all of his films.<BR> As Kaye's love interest, Jean, a charismatic Glynis Johns is highly complimentary.She is not the sterotypical woman of medeival times, but having been raised as a boy, has a lot of cunning, ingenuity, and an occassional bit of brawn as the leader of those in rebellion against Cecil Parker's evil King.<BR> Angela Lansbury's Princess Gwendolyn longs for true love rather than an arranged marriage. She is firm and decisive in many ways, as she helps bring the tale to a positive conclusion.<BR> As the sourceress, Mildred Natwick leads into some of the film's funniest scenes, including the notorious "Pellet with the poison is in the vessel with the pestle" routine that has become a classic.<BR> Hubert Hawkins' cleverness in seizing the real Court Jester,(John Carradine, a man whom I could never really think of as funny) who was very arrogant, disguising himself in his clothes, and using his tounge-twisting dialogue with the King to cover his tracks is also a riot.<BR> Basil Rathbone as the evil henchmen is a refined villian. It's amusing the way Kaye kept pushing his name out of the way during the opening credits, and I have wondered how often Hawkins' accelerated knighthood ceremony had to be rehearsed before those on the set could stop laughing.<BR><BR> Although the film overlooks the fact that a person can't be hypnotized against their will, the way Hubert Hawkins is, the comedy is generally light, and goofy, doesen't get any saucier than the exposure of an infant's backside, and children will love it.<BR> And as Hawkins reassures us at the beginning,"What starts like a scary tale ends like a fairy tale, and life couldn't possibly better be!"






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