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The Designated Mourner
Year: 1997
Classification: Drama

Directed:

- David Hare




Can you say pretentious?

It's time someone gave this pretentious film the panning it so richly deserves. First of all, let me say that I have nothing against Wallace Shawn or talkative films - I rather enjoyed "My Dinner With Andre," which somehow manages to hold the viewer's interest with its interesting dialogue and enjoyable setting. This film, however, is a yawn, and it doesn't make a hell of a lot of sense either. Throughout the movie we mostly see three things - the faces of the three characters talking, in front of some nameless postmodern background. As if this weren't visually boring enough, things get worse when we have to use our ears. Each in turn, the characters spew a lot of ridiculous monologues at the viewer in affected, self-serious voices. Somehow this is all supposed to tie together into one of the characters appointing himself the "designated mourner" for western culture (though why this random fool should matter to us in any way is never clearly explained.) All I can say is that if western culture is dead, it was this film that killed it.


how many times one can go in circles

not being sure what/whom lead some to argue about the protagonist's transition from high- to low-brow. if this transition had anything to do with this movie it must have happened before since jack is nothing else but a pretentious low-brow pal who's faking his way around. otherwise a nerve-test: excellent interpretation around a low screenplay.


Something about something

Funny how people revere this movie, using terms like "thought provoking" and "intelligent" and "masterpiece," but no one seems to know what it's about. The acting is impeccable, and the script seems to be about the death of an elite inteligencia and the victory of a shallow, all-surface society where nobody has to do much thinking. But the protagonist, the Mike Nichols character, though he denies understanding the "highbrow," displays the coldest and sharpest mind in the story. Compared to him, Ayn Rand was Danielle Steele!
The ending is moving, and the metaphor of the designated mourner is touching, but when people try to talk about this one they stop short of being specific about what in hell it was they found so interesting. They all sound like Roger Ebert; they use a lot of the lingo of film reviews but they don't really know what the thing was about.






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