|
| • Advanced Search • Help |
The Errand Boy | Year: 1961 Classification: Comedy Directed: - Jerry Lewis Innocence in the face of commerce A knowing and multi-faceted critique of big-studio filmmaking, 'The Errand Boy' is one of Lewis's very best films (it is his third; his fifth, 'The Patsy', can be considered as a sort of sequel). Morty S. Tashman is hired as a spy by the moguls of a major studio because they want to learn how their money is spent. He proves to be a destructive force: just as the prologue had exposed the trickeries and illusions on which Hollywood films thrive, the following 80 minutes show Morty disrupting a few shootings, a voice-recording session, the work of script-girls, and more. He stands as the innocence the producers have lost in trying to make money and please everybody; it is quite easy to read him as 'Lewis the artist'. By the end of the film, Morty has become a Jerry Lewis-like star, proudly saluting his new fans behind dark glasses; he thus seems to have made a place for himself in a world he had previously reduced to pieces. This dichotomy is similar to the one of 'The Bellboy', Lewis's first film as a director: in that movie, the timid, free and inventive bellboy was contrasted with the swagger, aggressiveness and confinement of Lewis playing himself. The brilliant and cyclical final sequence offers an interesting alternative: by having Morty meet a clumsy boy resembling his 'pre-star' self, Lewis assures us that even if some can't escape the studio's mercantile traps, there will always be innocence to be spread in these calculations and falsities. Intelligent, and very funny. One of Lewis' Best This is one of his most daring and creative ventures along with The Bellboy. Not much dialogue, just over the top sight gags and general hilarity. What do you people expect? This is Jerry Lewis in top form and it just doesn't get any better. The only thing funnier than his movies are the ridiculous criticisms of his films. Hello people...this is Jerry Lewis OK! It's too bad that his egocentric persona alienated several generations that didn't grow up looking forward to his next project. The Errand Boy stands alone as one of the most innovative comedies of all time and anyone that can muster some objectivity will appreciate his work for what it is. I personally think this is one of the funniest movies of all time and I rank it as Jerry's best work, although the Academy may disagree. 4 toothpicks Brilliant Mime Does His Thing Flawed but generally successful combination of pathos and 1930s slapstick: the most insecure guy on the planet is put in charge of internal security for a (wanna-be) major motion picture company. Jerry provides some of the funniest moments ever captured on film, as he stumbles from one department to the next, first an as an "extra", then as a mailroom delivery person. His attempts to find a quiet spot for lunch are worth the price of admission. But perhaps the best scene is the quietest: he finds himself in the prop department with a miniature clown who "comes to life" - it's a beautifully acted and effectively lit scene. However, there are are numerous elaborate sequences which prove fruitless, and the movie is overlong by about 15 minutes. And the character's ultimate "discovery" by the creative powers-that-be is bizarre in light of the fact that his presence has been unintentionally recorded on celluloid from day one. Despite the lost opportunities, TEB remains on a level with "The Nutty Professor" - a very entertaining and thoughtful effort. Buy The Errand Boy at Amazon.com Buy posters at Allposters.com Jamster - the latest ringtones for your phone!  Search with Walhello on the Internet on The Errand Boy Search with the Priority Search Engine on The Errand Boy This page in other languages: Suomeksi | Nederlands | Deutsch
|
