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The Man In The White Suit

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The Man in the White Suit
Year: 1952
Classification: Comedy

Directed:

- Alexander Mackendrick

Actors/Actresses:

- Alec Guinness
- Joan Greenwood




One of Alec Guinness's best comedic films of the fifties

Although Alec Guinness had already achieved a fair degree of fame on stage and on screen by the time he made THE MAN IN THE WHITE SUIT, this is, in fact, one of his earliest starring roles. Strictly speaking, although he had portrayed eight characters in 1949's KIND HEARTS AND CORONETS, this was his first comedy in which is played the lead. Playing inventor Sidney Stratton, Guinness further cemented his burgeoning reputation as one of England's most interesting and versatile actors.
The film features a marvelous though, to early 21st century film fans, largely unknown cast. Joan Greenwood, who is one of my favorite actresses in the history of film--beautiful, effortlessly sexy and sensual, enormously talented, and possessed of one of the great voices in the history of cinema--plays Guinness's romantic counterfoil. Cecil Parker, who while never a star, seemed to populate dozens of successful films without ever calling attention to himself. The film also features a typical performance by Ernest Thesiger, who played ancient-old-man parts for over forty years in films and is one of the most unique looking actors in British film history.
The story involves a quirky scientist inventing cloth that never gets dirty and never wears out, but which comes out of the lab pure white. This was at a time when a whole range of new synthetic fabrics were hitting the market, so the subject was very topical at the time. The plot revolves around the anticipated effects such material would have on the textile industry. The film is a comedy, but it is the kind of comedy that creates more smiles than laughs. It is not less delightful for that.


Gurgling Imagination

I recently purchased The Horse's Mouth (1958) from Amazon as well as "The Alec Guinness Collection" which includes The Man in the White Suit (1951) plus four others: Kind Hearts and Coronets (1949), The Lavender Hill Mob (1951), The Captain's Paradise (1953), and The Ladykillers (1955). Frankly, I was amazed how well each of the six films has held up since I first saw it.
Directed by Alexander MacKendrick (who also directed The Ladykillers four years later), what we have in The Man in the White Suit is Guinness' own version of the naive, indeed eccentric visionary/inventor/humanitarian. Sidney Stratton's dream is to create a fabric which never wears out and cannot be soiled. Endless (sometimes explosive) experiments involving various gurgling contraptions prove unsuccessful. Meanwhile, Stratton is fired from his job in one research laboratory, continues his research in another, and eventually succeeds. Or so he thinks.
One of these film's several delights is Joan Greenwood's portrayal of Daphne Birnley, daughter of the owner of the company in whose laboratory Stratton finally discovers the correct formula for the miracle fabric. Her father is played with great style by Cecil Parker who is almost as eager to marry off his daughter as he is to save his company. Only a spoilsport would reveal the climax of this entertaining film, one which may surprise viewers as much as it does Stratton and Alan Birnley. Sadder but wiser, Stratton ambles (as only Guinness can) into an uncertain future. Nowhere else throughout the plot is the special soundtrack more effective than it is in this final scene.


YaDADUMdeeDOODAHaY

I'm not eggsactly sure how to justify my rating or describe this film. It's not exactly a great, touching, or brilliant film. It's a bit dry. The humor is there but only so long as you're the sort of person to laugh at the bleakest of insights, the bitterest of satires, or the most depressing qualities of society. It is as relevant to the present as it is to it's own time. It is entertaining to a degree, if fairly obvious on the surface. Alec Guinness is a good actor and suits The Man in the White Suit perfectly.
This is the sort of film I can admire, enjoy watching once, reflect upon for a little bit afterwards, get depressed and/or happy about what it implies, type off a quick review, and be done with it. It's definately not a 50s romp though comedy like Some Like It Hot, more of an intelligent satire that's more than average in entertaining and a little bit more lighthearted than Sunset Boulevard.






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