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The Missionary
Year: 1982
Classification: Comedy

Directed:

- Richard Loncraine




Strange, funny, with good performances, by Palin, et. al.

This movie, about a missionary, who comes back from Africa, and is about to get married to his highly organised [British spelling] fiance, is given an assignment by his bishop, to "convert" the "fallen women" (prostitutes) of England. With funny performances by Palin, Maggie Smith (stunningly attractive in an aristocratic way), Phoebe Nicholls, as his future wife (you have to see the movie to see if he marries her), and others, presents a wickedly funny look at a man who seeks to do good, in the face of temptation. Not bad.


The cleric and the working girls

Sometimes, life among the "uncivilized" is less taxing.
Michael Palin is the Reverend Charles Fortescue, an Anglican cleric recalled to England in 1906 after spending the previous ten years in the bush among African tribesmen. Charles happily anticipates marriage to his sweetheart of long standing, Deborah (Phoebe Nicholls), and, perhaps, a posting as the vicar of a country church in the south of England. If he only knew, poor devil, he might have elected to stay on the Dark Continent.
THE MISSIONARY encompasses three subplots. While silly and demanding Deborah plans the wedding, she allows her beloved not even so much as a kiss on the cheek before the vows are solemnized. Until then, her great passion is for her system of filing papers and correspondence, an interest about which she prattles on endlessly. In the meantime, the Bishop of London gives Charles his new assignment - to establish a halfway house for prostitutes in the squalid London Dockyards. But the greatest threat to Fortescue's peace of mind is the bored and lusty wife of a filthy rich and semi-senile old Lord (Trevor Howard), Lady Isabel Ames (Maggie Smith), who offers herself in exchange for financial backing of the Mission for Fallen Women. Before long, Charles has problems with the gentler gender, especially when his redeemed working girls begin showing their, um, appreciation for his kind and sensitive nature. It doesn't help Fortescue maintain a stiff upper lip that he's a closet sensualist too long denied.
THE MISSIONARY, described as a "gentle satire", doesn't really work because the separate parts never mesh as well as they could. Deborah remains clueless virtually throughout; the complication represented by Lady Isabel veers off into a clumsily done sidebar involving an attempted murder; the relationship between Charles and his flock is quickly left behind. There aren't enough chuckles to recommend this film, although the best are perhaps when the butler employed by Lord and Lady Ames first ushers Fortescue into a country palace so huge that the guide gets hopelessly lost. Or when the sudden death of a terminally aged, potential benefactor goes unnoticed by Charles while expounding at length on the spiritual needs of the deprived underclasses.
A much classier comedy about an Anglican minister unnerved by the pesky existence of sex is SIRENS (1994), which benefits from the discomfiture of Hugh Grant in the lead role faced with an unashamedly unclothed bevy of Babes that includes supermodel Elle Macpherson.


A Missionary With a Difference

Michael Palin plays a missionary who has just returned after ten years in Africa. He has a fiancé waiting and has high hopes for a good position.
But all does not go as planned. He keeps running into an intriguing woman, his fiancé is obsessed with filing, and his church wants him to tackle the growing problem of "fallen women" working in the docklands.
Faced with the task of setting up a mission in London, he must find funding and souls to save. But to do either he finds that he may have to extend a different sort of kindness. One that gets him money and fills the mission with prospects.
But, again, all is not well. Other churches are jealous, all of their prospects want to go to Palin's mission. His funding source gets jealous and stops funding. He learns of a murder plot that he must stop. He must even go against the wishes of the church in order to save the women.
All of this is wrapped in a sort of dry British humor. We have the fiancé who is utterly obsessed with filing, a butler who can't go from one room to anothe
( the one with Frank dying, and the one with him alive) are shown. You get to see John's life on both timelines, as if they both merged to create the present. This lets us see where the chages were coming from and why they were done.
With amazing performances, an incredible script, and an action packed story, Frequency is a treat to watch. It puts an interesting spin on the time travel genre! The DVD is a must
p
dropped back a little but the pace never slowed as the rest of the season played out in one relentless cycle of conspiracy, betrayal and conflict, <I>Babylon 5</I
, Babylon 5 is the best sci-fi show ever produced. No doubt in my mind. It simply is.<BR>
Season 1 starts slowly. Mainly because the show was not written by J. Michael Straczynski (series creator) but by outside help. Result: Lousy B-movie scripts. Only 5-6 episodes are truly good.<BR>
But then Seasons 2-5 arrive, and the series truly shines. This is the CORE of the Babylon 5 story.
a two-parter which essentially brings cl
own uncut, widescreen versions on DVD







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