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The Shootist
Year: 1976
Classification: Western

Directed:

- Don Siegel

Actors/Actresses:

- John Wayne
- Lauren Bacall




The Movie, the Cast, the DVD

This is the story of the last eight days in the life of John Bernard Books (John Wayne), a legendary gunfighter who pulls into Carson City, Nevada on January 22, 1901. Books is dying of inoperable prostate cancer. Knowing that all he has to look forward to in the few weeks left him is an undiginfied and agonizing death as his disease progressively worsens, and unwilling to go out that way, Books orchestrates one last glorious gunfight, himself versus the only three men in town who just might be able to kill him.
The Shootist has the cast from Hell: John Wayne, Jimmy Stewart, Lauren Bacall, Ron Howard, Harry Morgan, John Carradine, Hugh O'Brian, Richard Boone, Scatman Crothers, all in the same movie. Made on a shoestring budget of eight million (not a lot of money for a major Hollywood production even in mid-Seventies dollars) the only way The Shootist could afford such a cast was that everyone involved realized this would probably be Wayne's last picture, and wanted to be involved. Hugh O'Brian volunteered to play his part for free.
The only "extras" on the DVD are the original trailer which is mediocre and a "Making Of" feature that's absolutely excellent. In the latter it's revealed the filmmakers changed the ending of the movie from the book on which it was based. In the novel, J.B. Books is killed at the end by young Gillom Rogers (Ron Howard) after surviving the final gun battle. But the powers that were felt it would be awfully hard to have audiences like the Howard character after that. In hindsight they realize their decision weakened the movie. And they're right. That would have been the perfect ending to The Shootist, the ultimate act of love from Gillom to Books, to be the one who ended his pain when no one else could. The way the movie does end is great - The Shootist is fully deserving of its five stars - but it could have been even better.
While it would be difficult to make a case against either Once Upon a Time In the West, Red River, or The Outlaw Josey Wales being the best Western ever made, The Shootist is one of the very few movies even worthy to be mentioned in their class. It adds an immense amount of poignancy to Wayne's portrayal of J.B. Books, a strong man in the final stages of terminal cancer, to know the actor was in exactly the same situation at the time. This is arguably Wayne's finest acting job, understated and powerful. While some actors are great for a time, then degenerate into crap roles to finish out their careers (Basil Rathbone's last movie was Hillbillys from Outer Space, if you can believe it), John Wayne was a class act til the very end. The Shootist was the perfect way to cap his career: one last superb Western from the greatest Western star of all.


"The Duke" as a real human being

There is a real resonance to this film that I have seen in few John Wayne movies. The Duke is still very manly in this film, but most of the macho is gone. I found myself really getting into Wayne's character, and watching with genuine interest what will happen with his relatonship with Lauren Bacall(still looking great) and Ron Howard. The Duke didn't seem to be playing a cariacature of himself but something much more real-it doesn't surprise me that he was dealing with real life and death issues in his own life when the film was made. I kept thinking to myself-"you know, the Duke is really acting in this one!" Also, the fact that the town was changing to more modern ways in the film is analogous to the fact that Westerns were mostly out of vogue when this picture was made-I think the filmmakers were making their own commentary about that in this movie. It probably would have been considered too sentimental to give John Wayne an Oscar for "The Shootist," but it would have made perfect sense-his acting is really deserving of an award in his final performance.


John Wayne's elegiac swan song; Farewell, Duke...

As movie genres come and go, the American Western was gasping for its last breath when John Wayne starred in "The Shootist" in 1976. This story about a dying gunfighter counting down his last days in the New World is loaded with an extremely heavy dose of symbolism. This is a quiet western, completely emphasizing dialogue over action. Directed by Don Siegel, a master of the western, the overall mood laments the passing of the Old West and its ideology. I agree with other comments that this film has a slightly made-for-TV quality about it, but it's clear this is supposed to be a delicate look at the death of a revered cowboy, and not a wide-open prairie epic. Like the character himself, John Wayne was dying, and provided for us what would be his final performance. The last words Wayne ever said onscreen at the end of this film are the same words I'd say to him if I had ever met him - "Thank you, sir."
Set in Nevada in 1901, Wayne plays John Bernard Books, considered one of the last infamous gunfighters of the Old West. Books settles into Carson City and learns he's dying of cancer. Hoping to live his last few days quietly, he is befriended by a strong-willed widow (Lauren Bacall) who owns a boarding house, and her impressionable son (Ron Howard). His presence becomes known, and enemies from his past emerge looking for a fight, while other so-called friends try to coax the legendary outlaw into letting a little fame rub off. Books soon develops a tender friendship with the Bacall character, while becoming a mentor to her eager son, even though the local Marshall is pressuring him to leave town immediately. Books soon figures out how to rid himself of his enemies and his debilitating condition in one swift stroke. The cast is a large who's-who of western actors and they do an all-around great job; Lauren Bacall looks a little less glamorous than usual, but fits right in as the stern yet feminine widow. Ron Howard gives a brash, "aw shucks" grown-up version of Opie, and Harry Morgan provides a little humor as the cowardly, trash-talking town deputy. There's also a small but fantastic supporting role by the eternal Jimmy Stewart as the doctor who informs Wayne of his ailment.
As the titular dying gunfighter, Wayne's role is not as complex as it was in "The Quiet Man" or "The Searchers", but this is still some of the best acting he's ever done. This is a solemn film, about someone reaching the end of their life and isn't afforded much time to rest and reflect because their past is catching up. The sad perspective of the Old West as an antiquated era also shows how we sometimes have trouble trying to stay with the times when the rest of the world is rapidly moving forward. This movie has grown in appreciation over time with many Wayne fans due to his calm, age-old performance. I can't think of another film that has served as such a fitting goodbye to an actor. "The Shootist" is - both literally and figuratively - the Duke's final bow.






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