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The Singing Detective
Year: 2003
Classification: Comedy

Directed:

- Keith Gordon

Actors/Actresses:

- Robert Downey Jr.
- Robin Wright Penn
- Mel Gibson




It's a Freudian Mystery Musical!

A disfiguring skin disease confines novelist Dan Dark (Robert Downey, Jr.) to a hospital bed for months. Embittered by his condition and paranoid about his wife's (Robin Wright Penn) fidelity, Dan hallucinates the plot of his first novel "The Singing Detective", replacing the characters in the novel with real people from his life. The resident psychiatrist (Mel Gibson) believes that the noir detective novel about a 1950's era "gumshoe that warbles" holds clues to Dan's paranoia and self-loathing. How much of the detective story reflects Dan's real life and how the two have become intermingled in his hallucinations remain to be seen as Dan slowly recovers.
"The Singing Detective" is adapted from the 1986 television miniseries of the same name, written by Dennis Potter, who also wrote the film's screenplay. The film defies categorization, and it may take the prize for the most genre-crossing film that I have seen. "The Singing Detective" is a mystery within a mystery, a comedy, a psychological drama, and a musical. Yes, a musical. The plot is nonlinear, jumping back and forth between Dan's ordeal in the hospital, his memories, and his hallucinations of various times and places. It takes the audience the better part of the film to figure out how it all fits together. In this way, the film is like a jigsaw puzzle of Dan's mind...a mystery to be unraveled. The other mystery is the one Dan's fictional detective is simultaneously trying to solve. I'm not sure why Dennis Potter made the detective a singer. This introduces a musical element into a story that is already so overcrowded that it can be difficult to decipher. "The Singing Detective" is the most overtly Freudian movie I've seen in ages. In fact, if there is any film to which it can be compared, it reminds me of Alfred Hitchcock's "Spellbound". Both films alternate between reality and stylized Freudian hallucinations. In both films, a man's past and his salvation, of which even he is not aware, are to be found in his hallucinations and the mystery solved with the help of a sympathetic psychoanalyst. Unlike "Spellbound", "The Singing Detective" could actually be called overbearing in its style, though.
"The Singing Detective" is genuinely hilarious at times. It elicited more than a few loud guffaws from the audience in my local theater. It's also to be commended for being clever and surprising. And Robert Downey, Jr. gives an impressive performance, as always. But the film's first act unfortunately does nothing to draw the audience into the story. On the contrary, it introduces some unattractive characters in a confusing manner and does more to put the audience off than anything. This may be attributable to the fact that "The Singing Detective" contains too much material for a film of this length, so it is obligated to dive right in instead of easing the audience into its frenetic mix of fantasy and reality. But if you get past the first half hour or so, it improves. Another element th


Defining a Unique Style of Film

THE SINGING DETECTIVE is a brave new world for cinema. Adroitly written, directed by Keith Gordon, and 'performed' by a wonderful ensemble of actors, this is not a 'film noir', not a musical in the vein of "Moulin Rouge" of Baz Luhrman, not a flashback to 'golden oldies': this film is a randy combination of all these elements and more. It is a thriller/spoof/comedy/tender statement about man's isolation and dependency on illusion to explain the past, and just plain bizarre but thoroughly entertaining stuff! The cast is headed by a bravura performance by Robert Downey, Jr. in the title role - a hospitalized man who deals with his childhood and life by creating a fictional movie in which he is embedded as a detective. Also superb are Robin Wright Penn, Jeremy Northam, Katie Holmes, Alfre Woodard, Mel Gibson, and Adrien Brody among other more minor roles. The staged 'musical numbers' are lip-synched favorites by the main actors and are sensational in the way they weave into the story line. You must be in an adventuresome mood to enjoy this movie, but give it a chance and it will mesmerize you.


A great mix of film noir, musicals and human drama

Author Dan Dark is trying to recover from a severe case of psoriasis, which causes him immense physical pain and sometimes the occasional hallucination. As he re-works his first novel, "The Singing Detective," in his mind -- sometimes imaging the people surrounding him as characters in this book, sometimes breaking out in song -- Dr. Gibbon, a psychlogist, tries to help Dark get at the root of his ailment by examining the events of his past.
Writer Dennis Potter re-works his TV mini-series into a fine film, mingling musiclas, film noir and a good human drama. Robert Downey, Jr., is excellent as Dan Dark, suffering both with the terrible skin condition an with his deep-seated emotions behind the characters in his first book. His delivery of Potter's fast-paced dialogue as well as his finesse with the character are amazing. Probably one of his best performances. The supporting cast also gives fine performances that truly enhance the film: Mel Gibson as Dr. Gibbon; Adrien Brody and Jon Polito as the two bumbling hoods; Katie Holmes as Nurse Mills; Jeremy Northam as Mark Binney; and Robin Wright Penn as Nicola/Nina/The Blonde. The makeup is also wonderful, especially both the work done to give Downey, Jr. psoriasis, and the almost unrecognizable Mel Gibson.
My only gripe is that the editing is sometimes a bit choppy making some scenes not flow as well as they could. Other than that, this is a great movie, filled with fine performances and a sharp, strong script.






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