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The Spanish Prisoner | Year: 1998 Classification: Drama Directed: - David Mamet Actors/Actresses: - Steve Martin - Ben Gazzara Mamet's Best If you can look beyond the usual staccato Mametian dialogue and the uneveness always caused by casting Mamet's wife Rebecca Pidgeon in the leading female role, then you've got yourself a very fine movie - probably David Mamet's best as writer/director in my opinion. I know many people will choose 'House of Games,' but I thought the 'Prisoner' storyline was better, and I really like the work turned in by Mamet novices Campbell Scott (whose combination of brains and naivete drives the film), Ben Gazzara and especially Steve Martin, who plays totally against type here. In the Mamet-penned 'Wag the Dog' we hear over and over again "It's a pageant." Replace that here with "It's a process." We hear over and over again about The Process. We never find out what exactly the Process is (that's not the point), but all actions and reactions in 'Prisoner' involve securing, stealing and resecuring The Process. It's a classic Mametian plot device and it works great here. For Mamet fans, there's a subset of regulars, most notably Mamet house players Ricky Jay and Jerry Graff. ['Glengarry Glen Ross' fans ought to recognize that name.] Also - be on the lookout for Ed O'Neill for a brief - but memorable - turn as an FBI Team Leader. And keep your eyes on that suitcase. "Beware of all enterprises which require new clothes." The art of the confidence game, or con, for short...very few manage to bring it to the screen as well or a clever as David Mamet, and The Spanish Prisoner (1997) is, while not in my opinion his best, but better than most, and certainly is a good display of Mamet's writing and style for direction. Written and directed by Mamet (House of Games, Glengarry Glen Ross, Wag the Dog), the film stars Campbell Scott, Steve Martin, Ben Gazzara, and Rebecca Pidgeon (who's married to Mamet). Scott plays Joseph Ross, an inventor who creates a top secret mathematical formula of sorts intended to allow for the manipulation of the stock market somehow, and has the potential to make a lot, a whole lot, of money for the company he works for...problem is Ross is beginning to have doubts about receiving his fair share, what he believes he's entitled to, from the company that plans to utilize the formula. As he tries to negotiate an equitable agreement with the company, he meets a well to do businessman by the name of Julian 'Jimmy' Dell (Martin) to which they become friendly, with Jimmy even offering to assist Joseph by putting him in contact with a lawyer that deals with contract law and proprietary information. But nothing is what it seems in this film, as Joseph soon learns as he's accused of theft of the formula, and even murder, as evidence begins appearing that certainly points the finger at him, becoming the perfect patsy. Will he be able to fully understand the intricacies of the con and learn who's involved before he captured by the police and/or FBI? I know, but you'll just have to watch to find out... I really enjoyed this film, and all its' intricate twists and turns. It's difficult to talk about without giving anything away, but the story is truly a wonderful mystery that will keep you guessing until the end, even if you manage to uncover some of the elements for yourself. The crafting of the con within the story is really good, even though we see so very little of the machinations and planning behind it, instead seeing only the end results, as Scott's character is drawn into a world of fabrication, deceit, and lies. My favorite role here was the character played by Steve Martin. I thought he did an excellent job presenting a charming and sophisticated character, playing the rare serious role. I do enjoy many of his comedic roles, but it's always a treat to see an actor successfully break out of his/her element and show they are more than what we see on the surface. Scott was good, although I felt his character was just a bit too gullible at times, especially given the nature of his work. I've never really cared for him much as an actor as he reminds me too much of that lame white guy from the 3rd season of MTV's The Real World (I think his name was Judd). He was such a smarmy, wishy washy annoyance always following the majority, trying to present an image of the understanding, evolved, sophisticated, yet oh-so-sensitive male in touch with his If this is Mamet's best... ...then I'll pass on the rest. Seriously, The Spanish Prisoner represents a decent movie idea soured by numerous miscasts, spotty acting, and deadful dialogue. I really can't believe the praise it was given when it came out. I really had to wonder if this was the same movie that the critics saw. Steve Martin is quite good (a welcome change from his hammy, over-the-top comedy performances) and Campbell Scott could certainly hold his own, despite his character's too-flawless-to-be-believeable persona. Rebecca Pidgeon is terrible. Every time she appeared on screen, I just rolled my eyes, counting the seconds until she went away. The premise certainly is interesting. I like plot twists just as much as anyone else, but the end of the film does not fill in the holes like other thrillers do (think The Usual Suspects). The pacing is really uneven and at times you're convinced that Mamet was directing a play and not a movie. That can be blamed on Mamet's dumb dialogue. Rarely do I ever hear people speak the way they do in The Spanish Prisoner apart from other really bad dramas. The only suspension of disbelief is that you won't believe this came from such an experienced man. I'm serious, if this is David Mamet's best movie, I'm out. Buy The Spanish Prisoner at Amazon.com Buy posters at Allposters.com Jamster - the latest ringtones for your phone! ![]() Search with Walhello on the Internet on The Spanish Prisoner Search with the Priority Search Engine on The Spanish Prisoner This page in other languages: Suomeksi | Nederlands | Deutsch
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