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The Virgin Suicides

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The Virgin Suicides
Year: 1999
Classification: Drama

Directed:

- Sofia Coppola

Actors/Actresses:

- Francis Ford Coppola
- Kirsten Dunst
- Danny Devito
- Scott Glenn
- Josh Hartnett
- Giovanni Ribisi
- Kathleen Turner
- James Woods




Haunting film, though not without its flaws

Still an impressive directorial debut for Sofia Coppola (and adapted from the Jeffrey Eugenides book that I admittedly haven't read), I was somewhat disappointed by the often disjointed style of this movie. At times, THE VIRGIN SUICIDES had the feel of a Paul Thomas Anderson film with the occasional lazy edits and contrived dialogue; also a dash of David Lynch. I was also disappointed by the performances of James Woods and Kathleen Turner as the parents -- clearly these were disturbed parents, but their portrayals were shockingly remote and one dimensional. Come to think of it, much of the acting in this film felt dreamlike and a bit too flat -- partly intentional I'm sure ... but just how much? The first 2/3 of the movie satisfyingly built up the haunting mystique that I was expecting largely due to Kirsten Dunst's portrayal of the ravishingly enigmatic Lux Lisbon, but everything seemed to unravel after the high school dance sequence. I won't reveal any details, but suffice to say that it felt like a clumsy attempt to be overly "artsy". I think Sofia Coppola has serious potential however, and I think she can build on this experience.


Excellent Adaptation From the Book

I'm always cautious when it comes to watching movies adapted from books I've read. Such miserable failures as "The Beach" have forever left a bad taste in my mouth. The directors and writers are almost always simply to lazy to make their own stories, so they just take someone else's, slap some ridiculous plot changes onto it, and obviously don't have the slightest idea what the novel is really about. They end up with a pointless failure that should never have tried to bridge the gap between reading and watching.
"The Virgin Suicides" is a startling exception to this rule, directed and written for screen with care and simple beauty by Sofia Coppola. She obviously understood this book, and has done a great job editing the book down to a 100 minute movie.
She takes very few "artistic liberties" that other directors might have been much more heavy-handed on, and those she uses enhance the feeling of the film. For instance, after Cecelia kills herself, she re-appears several times, giving her a strange, continuing presence. Also, she enhances several symbolic moments in the film, such as the film Lux and Trip watch about Hurricanes, or when Trip visits the Lisbon house, the show they watch is an obvious metaphor.
Over all, this is a stellar adoption of the novel, with a great cast, director, and script. A great follow up to reading to book.


I've never been a 13 year-old girl

In spite of my lack of qualifications--I'm a male and was 13 when Eisenhower lived in the White House--I would like to make a few comments about this movie. As I write this, more than 200 people have given plot summaries so I won't add one more.BR>I think the move is quite awful. If the movie was supposed to be about the feelings of the narrator then I might consider giving the movie an extra "star." Or if the movie was supposed to remind us that "normal" teens commit suicide, that might give it two stars, also. BR>But a movie should, in my opinion, be more than, say, a newspaper story that tell of a suicide of a teen with the always-asked question: WHY? A movie can get into the thoughts and feelings of the people, give insight into their anger or despair, and still show how parents or friends can be both clueless and a contributor to their problem.BR>But, except for the pitifully lame statement, "You don't know what it is like to be a 13-year-old girl," this movie does none of that.BR>Other movies, "Dead Poet's Society" and "Ordinary People", and probably others, have done a credible job with this topic. But this movie falls completely flat in my opinion.BR>In fact, the plot is so weak that a case could be made that the "suicides" were, in fact, murder. (...)






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