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The Winds Of War

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The Winds of War
Year: 1983
Classification: Television

Actors/Actresses:

- Robert Mitchum




A rarity: great TV adaptation.

This mini-series, together with its second part "War and Remembrance," may be the best TV adaptation of a book you will find. Even though the casting could have been better, and several main characters end up being played by different actors in the second part, "The Winds of War" follows very closely what Herman Wouk wrote on his novel of the same name. The TV adaptation is by Wouk, and Curtis' direction is magnificent. Curtis is responsible for the total immersion of the viewer in the era portrayed, as well as for the cinematic look of this series that is far above most TV of this or any day.<BR>About the cast I would have chosen another actress for Nathalie Jastrow and not Ali McGraw, but the series does not suffer with her. I have always liked Robert Mitchum, so it did not matter to me that he was too old for the part of Victor Henry: the late Mitchum is simply great in a rĂ´le that, although not written for him, he made his own. The young Jan Michael Vincent is convincing as Byron Henry, even if his romance with Nathalie, due to casting, fails to convince me. Victoria Tennant as Pamela Tudsbury falling for Victor Henry is a bit of a stretch but, again, the overall story and performances are powerful enough to let you go with it.<BR>This is TV at its best, presenting a very good work of fiction based on history. It's long, but that is part of the point: the attention to detail is quite commendable. This kind of TV is very rare. We will get to see more in "War and Remembrance," but no more after that. I know of no other adaptation that is as close as this one, and where money and talent really worked together to produce a total as good as the novel that inspired it. Finally, I must recommend both books by Wouk. If you have read "The Winds of War," you will appreciate what a great transition from print to screen has taken place here. And do not expect solved issues at the end of the last tape: this one ends right after the Japanese attack at Pearl Harbor. In order to find out what happens to the characters, you must read "War and Remembrance" or watch the second mini-series or, better yet, do both.


A great min-series that stays true to the book.

I first read The Winds of War by Herman Wouk back around 1972. The book just absolutely grabbed me. When I heard that ABC was filming a mini-series I was a little skeptical. Very few "made for TV" movies from books really capture the true feel of the original work. THIS ONE DOES! First of all it has a great cast. Robert Mitchum was just awsome as Comander Pug Henry. Both Jan Michael Vincent and Ali McGraw were credable as older actors playing young adults. Polly Bergen, John Houseman, and Peter Graves round out an exceptional cast. The fictional account of a family caught up within historical events continues to draw my attention, even though I have watch this many times since it originally came out. Some of the many highlights include the special effects of the bombing of London, the Japanesse attack on Pearl Harbor, and the wonderful re-creation of Roosevelt, Churchill, and Hitler by Ralph Bellamy and crew. In comparing this series to War and Remembrance, which was the sequal in both book and mini-series, I would have to give the nod to this as the better. If you're looking for an accurate and riviting account of the early years of WW II, then grab this up. Yes, the cost is high but it's well worth it.


Well done, Paramount

Paramount deserves major congratulations for doing right by The Winds of War with their DVD release.
I was anxious to make sure this DVD measured up, so I watched it with my old VHS playing at the same time, and switched back and forth occasionally on the remote to see the difference. It's nothing less than astonishing. The old Winds videos look unwatchable when compared to the new image, which probably looks as close as possible to the way it was shot.
This is, of course, a TV miniseries from 1983, long before anyone imagined the resolution of DVD, so it's not going to look perfect. Still, almost every time I switched to the VHS, then back, I literally said "wow." Colors are distinct and deep, details are sharp and the variously-colored hazes that afflicted most of the VHS are gone. Having only seen the series this way, the DVDs were a revelation. These discs represent what is best about DVD and its success, bringing a long-quiet catalog title back to life.
Although Paramount usually mixes new 5.1 audio tracks for their old films, with 15 hours of film here, they can't be blamed for leaving the existing mono tracks, which are certainly decent and don't detract at all from viewing the film. (I can't understand the other reviewer who gave the DVD set one star, largely because of the audio. Doesn't he understand how prohibitively expensive a new sound mix of that length, for such a complex series, would have been? We're very lucky with what we've got.)
Paramount also fixed some framing mistakes on the VHS edition. Large portions of episodes 5, 6 and 7 were noticeably off-center when compared to the re-aligned DVDs. This had never caught my attention before, but when flipping back and forth, I could see that the tops of people's heads were actually lopped off quite frequently on the VHS.
I've read horror stories of missing scenes when TV shows find their way to DVD, so I was especially anxious to be sure that wasn't the case. Rest assured, every moment of the VHS version is here. The only difference is that the commercial break spots have now been lengthened to about five seconds, where they were almost instant cuts on the VHS. This gives more of a breather between acts, which I totally approve of. (As for the other reviewer who found scenes that were not on their old VHS, I can't imagine what they were watching, but it wasn't the official Paramount 7 VHS set, which was identical to this new DVD in film content.)
The extras are also pretty thorough for a title that's clearly not going to sell millions of units. There are a series of featurettes that actually run into a pretty comprehensive feature-length documentary. Almost all the surviving cast and crew are interviewed, with the standout being series producer/director Dan Curtis. Just what a labor of love the series was for him is quickly apparent, and he has wonderfully clear memories of the production, which he is given ample time to share.
Bravo, Paramount,






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